At one point I was afraid to quit the app and lose work. Saving and exporting - I struggled for a while to be able to save or export my files. you accidentally did not set the resolution.
Though this may not sound like an exciting feature, it's exciting for iPad artists because you don't have to run the risk of pouring hours into what you hoped was a production-ready piece only to realize. The fill feature in Clip Studio Paint also just feels sophisticated, like an old pal who knows to not paint the entire canvas just because you forget to close five pixels of a character's hand. It sounds crazy, but I felt hand-coloring saved time, compared to creating inkwork and then exporting into Photoshop to create fills. I can't tell you how many hours I have spent hand-coloring my inked cells. FILL! Filling/paintbucketing is tough or impossible with other software I've tried on the iPad Pro. It also stops the problem of making a stroke and having it careen uncontrollably off the workspace, like a car skidding on ice.ĭrawing in Clip Studio Paint is out-of-the-box good - no need to fiddle with pressure or drag settings or install a plugin to just get rid of the drawing-on-glass feeling. This is good! It makes the drawing surface feel slow, like real paper. The software seems to produce just the tiniest amount of delay or drag when you start to draw. Drawing Feels Real - By far the most important good thing about this software. Despite never using the desktop version for drawing, painting, or inking before, I was able to start using Clip Studio Paint's iPad software to make art right away - no fussing with settings or flipping through manuals.ġ.
Some background on my history with Clip Studio Paint that may be useful: I've only ever used the desktop version of Clip Studio Paint for lettering.
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